{"id":212,"date":"2009-04-30T00:00:00","date_gmt":"2009-04-29T23:00:00","guid":{"rendered":"http:\/\/localhost\/rennet\/?p=212"},"modified":"2009-04-30T00:00:00","modified_gmt":"2009-04-29T23:00:00","slug":"the-shangri-las-leader-of-the-packred-bird-1965","status":"publish","type":"post","link":"https:\/\/rennet.org\/?p=212","title":{"rendered":"The Shangri-Las. Leader of the pack\/Red Bird &#8211; 1965."},"content":{"rendered":"<p>De tous les girl-groups &agrave; avoir r&eacute;gn&eacute; sur les charts avant la r&eacute;volution Beatles (avec les Ronettes et les Crystals de Phil Spector, les Vandellas et Marvelettes de la Motown, sans oublier les Shirelles) les Shangri-Las &eacute;tait le plus rebelle. <!--more--><\/p>\n<p>Avec leurs bottes en cuir qui leur remontaient jusqu&#39;au genou, leurs histoires de fugues adolescentes (&laquo;<em>&nbsp;I Can Never Go Home Anymore<\/em>&nbsp;&raquo;) et leurs b&eacute;guins incompris pour les bad guys en perfecto fa&ccedil;on Marlon Brando dans &laquo;&nbsp;<em>The Wild One<\/em>&nbsp;&raquo; (&laquo;&nbsp;<em>Out In The Street<\/em>&nbsp;&raquo;, &laquo;&nbsp;<em>Leader Of The Pack<\/em>&nbsp;&raquo;, &laquo;<em>&nbsp;Give Him A Great Big Kiss<\/em>&nbsp;&raquo;), les <strong>Shangri-Las<\/strong> affolaient les mamans (et leur chanteuse principale, <strong>Mary Weiss<\/strong>, les papas, pour une raison diff&eacute;rente). Ces scandaleuses jeunes femmes avaient m&ecirc;me le go&ucirc;t de la promiscuit&eacute;! <\/p>\n<p><em>(&laquo;&nbsp;Is he a good dancer?<\/em><em>What do you mean, is he a good dancer?<\/em><em>Well, how does he dance?<\/em><em>Close&#8230; Verryyy verryyry close.&nbsp;&raquo;)<\/em> <\/p>\n<p>Rien d&#39;&eacute;tonnant donc &agrave; ce que <strong>Johnny Thunders<\/strong>, le fameux guitar-hero toxico, leur rende hommage par deux fois. D&#39;abord au sein des <strong>New York Dolls<\/strong> qui reprennent la phrase d&#39;intro de &laquo;&nbsp;<em>Give Him A Great Big Kiss<\/em>&nbsp;&raquo; sur le d&eacute;lectable &laquo;&nbsp;<em>Looking For A Kiss&nbsp;<\/em>&raquo; (&laquo;&nbsp;<em>When I say I&#39;m in love, you best believe I&#39;m in love, L.U.V<\/em>&nbsp;&raquo;), puis en solo, une version fantastique du m&ecirc;me &laquo;<em>&nbsp;Great Big Kiss<\/em>&nbsp;&raquo; sur son album &laquo;&nbsp;<em>So Alone<\/em>&nbsp;&raquo; (sur lequel, en v&eacute;rit&eacute;, il &eacute;tait fameusement accompagn&eacute;, mais c&#39;est une autre histoire). <\/p>\n<p>Signalons par ailleurs que le deuxi&egrave;me album des <strong>Dolls<\/strong>, &laquo;&nbsp;<em>Too Much Too Soon<\/em>&nbsp;&raquo;, est produit par <strong>George &laquo;&nbsp;<em>Shadow<\/em>&nbsp;&raquo; Morton<\/strong>, producteur l&eacute;gendaire des <strong>Shangri-Las<\/strong>. Celui-ci, rival m&eacute;connu de <strong>Phil Spector<\/strong>, est le premier &agrave; avoir l&#39;id&eacute;e d&#39;incorporer des bruitages de fond dans ses chansons. Le chant des mouettes et les bruits de vagues sur le merveilleux &laquo;&nbsp;<em>Remember (Walking In The Sand)<\/em>&nbsp;&raquo;, le moteur vrombissant de sa propre Harley dans leur plus gros tube &laquo;&nbsp;<em>Leader Of The Pack<\/em>&nbsp;&raquo;, un sifflement de locomotive sur &laquo;&nbsp;<em>The Train From Kansas City<\/em>&nbsp;&raquo;. En guise d&#39;introduction, &eacute;couter les joyaux &laquo;&nbsp;<em>Remember (Walking In The Sand<\/em>)&nbsp;&raquo;, &laquo;&nbsp;<em>Out In The Street<\/em>&nbsp;&raquo;, &laquo;&nbsp;<em>I Can Never Go Home Anymore&nbsp;<\/em>&raquo;, et, pour votre culture personnelle, &laquo;&nbsp;<em>Leader Of The Pack<\/em>&nbsp;&raquo;, apog&eacute;e d&#39;un style na&iuml;f, charmant, d&eacute;licat, dont on peut regretter la disparition. Les poufs en d&eacute;shabill&eacute; qui gigotent dans le poste, en ce qui me concerne, &ccedil;a le fait nettement moins. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>De tous les girl-groups &agrave; avoir r&eacute;gn&eacute; sur les charts avant la r&eacute;volution Beatles (avec les Ronettes et les Crystals de Phil Spector, les Vandellas et Marvelettes de la Motown, sans oublier les Shirelles) les Shangri-Las &eacute;tait le plus rebelle.<\/p>\n","protected":false},"author":1,"featured_media":213,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-212","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-discographie"],"_links":{"self":[{"href":"https:\/\/rennet.org\/index.php?rest_route=\/wp\/v2\/posts\/212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rennet.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rennet.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rennet.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rennet.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=212"}],"version-history":[{"count":0,"href":"https:\/\/rennet.org\/index.php?rest_route=\/wp\/v2\/posts\/212\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rennet.org\/index.php?rest_route=\/wp\/v2\/media\/213"}],"wp:attachment":[{"href":"https:\/\/rennet.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rennet.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rennet.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}